Texts by
Michael Corris
Richard Bailey
Michael Dorsch




Michael Corris is an artist and writer living and working in Dallas, Texas. Corris has exhibited internationally — both as an individual artist and as a member of the Conceptual art collective, Art & Language — at the Museum of Modern Art, New York; TateBritain, London; and MACBA, Barcelona. Recent publications include Conceptual Art: Theory, Myth and Practice (Cambridge University Press, 2004), Ad Reinhardt (Reaktion Books, London, 2008), Art, Word & Image: 2,000 Years of Textual/Visual Interaction (Reaktion Books, London, 2010) (with John Dixon Hunt and David Lomas), and Leaving Skull City: Selected Writings on Art (Les Presses du Réel, Dijon, 2016).

Richard Bailey has four films featured in the 2017 AVIFF Cannes Catalogue.  His films have shown at Alchemy Film & Moving Image, Anthology Film Archives, Berlin Experimental, Black Maria, Blow-Up, Dallas VideoFest, Proyector International, SENE, SXSW, and many other festivals.  He has a film featured in Vol. 36 of the Journal of Short Film, a peer-reviewed journal in DVD form. His poems have appeared in several journals, including The Madison Review, Mudfish, Quiddity, and Whiskey Island Magazine. Find out more at

Michael Dorsch is an art historian educated at Swarthmore College and The Institute of Fine Art, New York University. He is the author of French Sculpture Following the Franco-Prussian War, 1870-1880: Realist Allegories and the Commemoration of Defeat. He lives in New York City and has taught at Hunter College and The Cooper Union for the Advancement of Science and Art.

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